FELLINI'S MUSE: A PHILOSOPHICAL CASE STUDY OF CINEMA'S PERSONIFICATION OF THE CREATIVE IMAGINATION
My postgraduate dissertation was a case study utilizing Fellini's 8 1/2 as an exploration of how cinema gives life to the concept of creative imagination. This 60 page paper began with a series of philosophical definitions before applying them to the film and conceptualizing the figure.
My undergraduate honors thesis was a philosophical analysis of the intentions and motivations behind the antagonist of our generations largest cinematic phenomenon. It is a 71 page moral exploration of the character's actions with the goal of determining whether or not the famous 'snap' was morally justified.
The Stranger - conceptual screenplay
this is the first 10 pages of a modern adaptation of albert camus' classic novella 'the stranger.' My goal with this project is to explore the themes of the story and attempt to translate its absurdist qualities to film in a novel way.
I published a lyrical essay on my experience growing up with chronic pain. It follows a non-linear style based around different intense moments of my life.
